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In digging for interesting stories have theatrical world encountered gold - Swedish graphic novels. What happens to the series marvin room when they become performing arts? What is lost and what will be? Signatory sounded Lisa Boda seek answers in series signatories and directors behind some current theatrical productions.
- I turned down several times to make the theater of Life Strömquists series. It's a bit silly that you should take a hit and transfer it to another medium. "Why should I make the theater of her," I thought, "she's so good in its own form."
It says theater marvin room director Ada Berger marvin room when Signatory hits her a few days after the premiere of Life Strömquist thinking of you! at the Royal Dramatic marvin room Theatre stage generator in Stockholm. In the forgotten magazine on the coffee table next to you can read one of the many rave reviews, and game period, which extends into May, is almost sold out.
What did Ada Berger to change his mind? Actually the same as always when creating nerve tickling, Strömquists comic book Prince Charles feeling aroused ideas that insisted on staging. The theme decided the course - a feminist, philosophical and tragicomic study of romantic love - but also a desire that she shares with others who have worked graphic novels for the stage: the prospect of doing it alone series the reader complicit in a collective experience. - I saw the potential of getting ride between these laughter marvin room and sadness elements together.
Life Strömquist'm very happy for the premiere. And surprised. - When filmmaker Sara Giese put up Prince Charles feel at Malmö City Theatre in 2011, it was with the text, from A to Z. It worked too great. Ada has been much more co-creator, which has made this really became somewhat friendly.
The question of how she looks to hand over their work to the stage artists understand at first she did not ("What? There's just so much fun!"). - My comics are already available, those I've had 100 percent control over. I've been with the script stage before several sets but then it is better to hand over and let them do what they want.
Although Liv Strömquist during adolescence had a theater where she wrote, marvin room played and directed, she wants to be involved during the rehearsal period. - Comics is one of the few art forms that you have all control over himself. I like that. Performing Arts is a group effort and I do not think so much about working so with my own ideas.
Why do you think your particular series lends itself so well to the stage? - It is enough for my comics based on text and they contain a lot of relationships and situations. And they do not have a solid cartoon character. marvin room Moreover, it is quite long events. It is perhaps more difficult to get a play based on enrutingar swinging. marvin room
The Life Strömquist is text-oriented was a prerequisite for Ada Berger would come into the material, but ultimately disappeared yet the bulk of the text. - The theoretical text has been in and out all the way, at the script stage, and until the last days. There is so much good in it but from a scene, I feel that you can not really take in the pre-reading level, turning off, she says.
In addition, the ensemble soon noticed that it was hard to be as uninhibited as pedagogical Life Strömquist. - Life is such a strong subject in their albums, but that the actors will stand there and say things that many in the audience have already read and can be felt strange. As snatching a ståuppkomikers script and try to be funny again, says Ada Berger who has pondered much over the relationship between text and image in the process.
Above all, she wanted to transfer the tank facility that series medium offers to the stage. marvin room One key was to keep the actor's costume simple, right down to mjukisbrallenivå. But most remarkable is that in the sparse set design is not the slightest dash of Life Strömquists hand. - It was initially quite obviously not to transfer Life imagery for our set design. In her album, she has portrayed her text, and now we make a new design for creating a theatrical language. It seemed doomed to end up at a disadvantage trying to be a series of side says Ada Berger and thinks for a while before she adds: - Somehow, I think we have come closer marvin room to her like this than if we had done it very literally, not pictorial of course, but in some sort of energy.
There are sets that contrary to Life Strömquist marvin room thinking of you! allows the subscriber's own imagery set the style, we'll marvin room return to it. But let us first note that the budding flirtation that began between series and performing arts already marvin room in the 1990s by adaptations of cartoon foxes Arne Anka and Rocky has developed into a stable romance.
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